Virginia National Ballet’s Nutcracker:

A Study in Balance and Intention

Virginia National Ballet brought heart, warmth, and brilliant dance to Capital One Hall. PC: Krasi Henkel

Mastery, Restraint, and Courage Silenced the Full House

Having attended countless productions of The Nutcracker, I could live happily without another one. Yet Virginia National Ballet made me reconsider my conviction. I attended this performance because I love these dancers and this company. I arrived not seeking novelty or nostalgia, but prepared to watch for creativity, interpretation, and intention.

What unfolded was a joyful celebration of the art of ballet. Correct, energizing, and clean.

Character interpretation and presentation were classical yet carried subtle twists. I caught myself thinking, “How understated, and how clever . . .” This Nutcracker was offered with nuance and a luxurious license to entertain, without tipping into excess or spectacle for its own sake. Lightness was mastery. From the houseguests to the naughty boys, from the magical uncle to the presented toys, the opening scene was effervescent.

Snow, the ethereal scene – photo by Dave Pearson

The sets were creative, economical, and effective. There was just enough and nothing fussy.

Clara’s princess tutu was debuted for this production. From my seat, it evoked spun sugar. Combined with her elegant technique and storytelling, she set the standard for excellence throughout the production.

Princess Clara’s new tutu demonstrates attention to every detail. Photo by Krasi Henkel

From sparkles to snowflakes, the performance delivered masterful artistry, complete storytelling, and thoughtful structure. Nothing lingered too long. Nothing asked for attention it had not earned. What distinguished this production most clearly was courage in choice.

Arabian Scene photo by Dave Pearson

The Arabian scene was performed barefoot – no pointe shoes. That was a new twist in my experience and yet it felt authentic. A singular square of fabric defined the space, evoking a desert tent. Color and costume fused movement with intrigue. The barefooted ballerinas changed the atmosphere of the room. Their freedom from constraint allowed grounded power and presence to take center stage. This was intentional vulnerability.

Spanish Scene Photo by Dave Pearson

That same intelligence appeared throughout the production. A single dancer, Alexa Glomp, performed the Spanish variation on the very large stage. Although petite, she filled the stage with power, artistry, and enthusiasm. Her presence carried the moment.

Trepak scene – Photo by Dave Pearson

The Eastern European influence in costume and of course, music set the Trepak scene. The soloist’s choreography was delightfully modern from gravity-defying leaps to spins, and even a nod to break dancing. It brought freshness to a stereotyped musical score.

Chinese Scene – photo by Dave Pearson

In the spirit of visual economy, the Chinese scene resonated brilliantly with a single brilliant dancer and lovable dragon. The interplay between the two lent humor and whimsy.

Mother Ginger with the gingerbread dancers – Photo by Dave Pearson

No Nutcracker is complete without Mother Ginger. Dressed in shades of ginger, she concealed an army of gingerbread dancers both large and small. The tiny dancers tugged on heartstrings while the larger dancers carried the scene.

Young Clara embraces her “princess” self. Photo by Dave Pearson

I loved that the Sugar Plum Fairy was Clara, as her dream. Her arc transformed her into a princess then returned her to the child who loved her Nutcracker. The pas de deux was effortless and weightless, as it unfolded in a dream. Display for its own sake was absent, allowing the story to remain clear, confident, and complete.

The choreography dignified the company dancers. It matched real bodies and their spectacular abilities. Costumes, movement, sets, and music were integrated with confidence and restraint.

Professional dancers and ballet students harmonized organically. Technique and storytelling were equally respected. Children as mice and soldiers enhanced holiday unity. This is the mark of leadership that serves talent and allows it to flourish.

Snow magically appeared. Photo by Dave Pearson

There were moments when I felt carried away. Suddenly the people behind me stopped rustling paper and kicking my seat. There was a stillness throughout the auditorium. I knew then that this performance was an absolute success.

Stillness means the audience is no longer evaluating, no longer fidgeting; no longer anticipating. It means they were fully inside the experience. On this evening, approximately 1,200 people shared that stillness.

That leadership style was visible at curtain call. When co-founders Rafik Hegab, artistic director and choreographer, and Elysabeth Muscat, Managing Director, came on stage, they first applauded the dancers. Rafik stood to the far side, took a brief bow, and remained focused on the dancers. Ego was absent. Excellence was present. The joy was shared.

I left edified. Nothing had asked me to tolerate it. As spectator, I was invited to participate, intelligently, quietly, and fully.

Following the performance, future ballerinas were warmly greeted by Sierra Stipetich and Alexa Glomp

This Nutcracker was light without being thin, precise without stiffness, joyful without excess. It was designed to carry us through the story and safely return us when the curtain closed.

Princess Clara and her prince. Photo by Dave Pearson

Would I see The Nutcracker again? Theirs? Yes. Always.

The next performance for Virginia National Ballet will be the timeless Swan Lake – March 20, 2026 at Hylton Performing Arts Center and March 28, 2026 at Capital One Hall. An online silent auction will be launched in late January. You will be able to bid on trips, art, tickets, and much more. The auction items will be available at both performance venues. Click here for more information on the auction or for tickets.

The Santa Experience

33 Years With THE REAL SANTA

Let’s Sing!

His beard and whiskers were snowy white. His red velvet suit showed wear, especially on his lap where thousands of children sat each year. His sleigh was lacquered red and quite comfortable for standing or sitting. He reminded each guest that the real meaning of Christmas was not “what” he will bring, but “who” came to earth on Christmas.

With supreme diplomacy, Santa suggested and never lectured about the true meaning of Christmas.

For years, we queued in long lines that took hours. Our first visit was when our daughter was one. She was tiny and was fascinated by the  low windows where miniature toys depicted scenes of Christmas and the Christmas Story. The years rolled by and then she was five, ten, twelve, fifteen, and on. We always went, waited in those interminable lines, and he was always there.

There was a letter-writing station with pencils and papers in case someone had left their letter behind or that their dog ate it. Children as well as parents and grandparents wrote letters and  Santa read most letters out loud.

A visit to The Real Santa was always an adventure. He arrived at his “Santa’s House” the day after Thanksgiving and returned to the North Pole several days before Christmas. During his stay, he would meet, greet, hear, and consider every child. He would nod approval or express surprise and say, “Mom/ Dad . . . how would you feel if I delivered such a gift? Maybe I’ll bring you a blue scooter, instead.” I remember how he looked up at me when my daughter asked for the Dirty Dancing movie. I smiled and nodded.

Families lined up at Santa’s door hours before his arrival. There would be popcorn and hot chocolate to satisfy hungry youngsters. Santa’s house was a work in progress. Every year, something new would be added to the many display windows. There were albums with letters and photos with/to Santa from the parents (when they were children) of the children standing in line. At the entrance there was an empty space in which gently used and much loved toys could be left to be delivered to those in need.

Santa carefully unfolded every letter and listened to every whispered secret. His promises and instructions had  to be followed exactly. “On Christmas Eve, I want you to place a small white plate on the kitchen table. On that plate place eight pieces of carrot for my reindeer and one cookie for me. In the morning, you will find a present wrapped in green tissue paper and tied with string. There will be a surprise for you from me,” Santa told one spellbound child while one parent was taking notes and the other photographed the visit. Before stepping away from the sleigh, Santa would smooth his beard, reach to his right, and produce a lollypop from his lollypop tree along with a beautiful small card depicting the Nativity . “Always remember the real reason for Christmas,” he would tell the child while handing them the card and candy.

Santa did not rush. He  gave every child their due time. As his house became more crowded and the lines grew longer,  Santa would take a break, go up to his rooftop, and address his guests. He might lead them in a Christmas song or read them a story or a poem. Sometimes he would speak to the adults and  read them a poem. One very memorable poem by an anonymous author, goes like this:

Santa attended to his visitors with love and understanding. “He knew if you were bad or good” and would call actions out, much to the chagrin of the child. Several incidences that happened to our daughter still have us wondering – how did he know?

When my daughter was four years old, she loved to leap into our bed at the crack of dawn. It was great fun for her. When we visited Santa that year, just as she was about to step out of his sleigh, Santa called her back. Holding her tiny hand, he looked her in the eye and said, “Now, you must stop jumping in your parents’ bed and stay in your own bed. Promise me that you will try. I will bring you a special present wrapped in white ribbon and will put it in front of your bedroom door.” As of that moment, our early morning visits ended. Sure enough, there was a special present wrapped in white ribbon on the floor in front of her bedroom door. How did he know?

The year that my father passed away, my mother accompanied us on our visit. She stood near the sleigh to hear Santa’s instructions and reactions. He stopped, turned toward her and beckoned her into his sleigh. “Grandma, what you really want is peace. I wish I can bring you peace,” he told her. He gave her a lollypop and a card. How did he know??

Because time with Santa transcends age, we visited him even when our daughter grew up. She loved to introduce younger children to the Santa adventure.  She loved when her younger cousin would visit. One year, her cousin was perplexed because she did not know if Santa would be able to find her at our house. As the girls were leaving the sleigh, Santa cleared his throat, looked into the little girl’s eyes and softly told her, “Don’t you worry about my finding you. I will always know where you are.” How did he know?

In a later year, again, with a younger friend, Santa listened and nodded to the younger child and to our daughter. Our daughter was a freshman in high school. As she was helping the young child out of the sleigh, Santa cleared his throat and tapped her on the shoulder saying, “You know, the things that hang on the rod of your closet are not mobiles. They are clothes hangers. You should use them. Hand up your clothes on those hangers and cleanup your room.” My husband and I were speechless as was she. How did he know?

In 2018, Santa took a break from the hustle and bustle of growing crowds and focus on his workshop. With internet access and mobile phones, he adapted to the age of technology. In his house there was a mailbox for real letters that children could write and mail to him. My Goddaughter drew him a beautiful picture as a gift to him and did not ask for a single present. We experienced the magic of Santa for 33 years and introduced many children and their families to him. The memories are priceless. Our Christmas traditions always included a visit to his house and marveled at his creativity as he added more displays. He never wavered from the true meaning of Christmas.

I wish you and yours the merriest of Christmases and that the meaning of the season will be in your hearts throughout the New Year.

Loudoun Symphony Orchestra Live!

‘Winter Fun” Concert

The sound was big! This was not the symphonic music that I have listened  to on my earPods or Sonos  for the past 18 months – this was REAL! The sound of the brass  section of the Loudoun Symphony Orchestra (LSO) filled the packed auditorium. It caught my attention and put a smile on my face behind my bedazzled mask. How wonderful, to finally hear real music performed by real people!

Wearing Santa hats, twinkling vests, and bows, the musicians captured the holiday spirit down  to their light-wrapped music stands.

Maestra, Nancia DAlimonte, LSO Music Director and Conductor, lead the Symphony in a holiday program that was dramatic, funny, wistful, and energetic. From Grinchy to lyrical, the performance was polished to perfection and full with joy.

Nancia brought wisdom, cheer, and humor to every part of the program. She introduced the pieces  with stories, wit, and context. Her impeccable timing and connection with the musicians was, of course,  exceptional. Her head dresses changed from a festive holiday plaid Santa hat to crystalline antlers, to a shark head. She not only lead the orchestra, but she lead the audience to create the sound of the cracking whip in the closing piece, Sleigh Ride.

LSO brought Christmas music by train, with music from the Polar Express; by nightmare from Tim Burton’s Nightmare Before Christmas,  Making Christmas;  en pointe with excerpts from The Nutcracker; by sleigh; by reindeer;  by wooden soldiers; from the movies with Miracle on 34th Street, Somewhere in My Memory from Home Alone,  Where are You Christmas? From the Grinch.

The one hour concert heralded the Christmas season  and inspirited the audience to start making their lists and tying bows.  Best of all – there was magnificent live music once again. Our souls have awakened. The concert was held in the sun-filled ST. David’s Episcopal Church in Ashburn, Virginia on Saturday, December 4.

To learn more about LSO and to see their 2022 performance schedule, please visit their website – https://www.loudounsymphony.org/