Where Passion Meets Purpose: Inside the Duke Ellington School of the Arts Student Exhibition

Last Friday, I had the privilege of attending the Visual Arts Student Show 2025 at the Duke Ellington School of the Arts (DESA) in Washington, D.C. As I walked through the exhibition with my goddaughter, Nicoletta, a freshman in the Visual Arts Department, I witnessed firsthand how this extraordinary institution transforms artistic potential into polished expression.

“The Vienna Flood ’24” by Lucia Gonzalo Sebastian – 2D Concepts – New Yorker – Nikki explains, “This is difficult medium because of the many details involved in its creation – selection of just the right shades of color papers, assembling meticulously to smoothly apply each piece while keeping the surface clean of glue and staining. But it is so much fun to see the result.”

A Dream Realized

For Nicoletta, DESA represents the fulfillment of a lifelong passion. Even as a toddler, while other children played with dolls, she gravitated toward pencils, paints, and clay. Her journey to DESA wasn’t easy—the school’s rigorous admission process admits only 25 visual arts students annually from hundreds of applicants, requiring portfolio presentations and in-person drawing auditions. As her Godmother, her parents invited me to attend the “Family Meeting.”

“To have professional instruction, to be moving art forward, and be in the moment where ideas, vision, and expression move smoothly, is my ideal,” Nicoletta explained as she guided me through the exhibition. The school’s unique structure, dedicating three hours daily to arts education, has transformed her academic experience as well, leading to recognition for her outstanding GPA.

” I loved creating this collage where I incorporated photographs, textures, and graphics. I think I can say that I am happy that it was selected for the show.” Nikki Zapryanov

Team Building Creativity

“Sculpture Left Standing Work” Nikki – Arm, Eliana – Leg, Khepra – Torso, Luana – Head; Luana – Leg

The centerpiece of the exhibition featured four nearly life-size ballerina sculptures created by freshman student teams. Each sculpture represented a beautiful example of collaborative artistry—individual students crafted specific body parts that were later assembled into cohesive wholes under the guidance of their sculpture teacher, Mr. Wesley.

“I carried that leg around with me for months and worked on it at home and at school. I have grown accustomed to having its company,” shared Eliana, pointing to her beautifully extended ballet leg with its perfectly pointed foot.

What made these sculptures even more impressive was their construction material: cardboard. When asked about creating such fluid forms from such a rigid medium, one student explained, “We softened it by hand by repeatedly bending and smoothing until it yielded to our shapes.”

A Nurturing Environment

Beyond the impressive artwork, what is striking is the atmosphere of the school itself. The architecture, with its vast, inspiring spaces, creates an environment where creativity flourishes. But it’s the community that truly distinguishes DESA.

“I have made wonderful friends. We are a close community where everyone is supportive and lends help when needed. Criticism is constructive, kind, and very valuable,” Nicoletta shared as she introduced us to many of her classmates.

The faculty’s approach reflects this supportive philosophy. When asked about their teaching methods at a previous event, one visual arts teacher explained, “We teach the fundamentals and basics of art—technique, tools, media, and vision. We feel that this is the best way to help prepare our students for the rigors of their future education and ultimately, life.”

Growing Artistic Vision

As we explored intricate skull drawings that would inspire next year’s projects, Nicoletta reflected on her artistic development: “This year, my eye has become more developed. I calculate and observe better. I can see differences and note details, symbolism, and emotions.”

Drawings from Students in Drawing II

The exhibition culminated with award presentations, including a historic first—a sculpture titled “Right Standing Work” winning Best in Show. Department Chair Ms. Elana Casey recognized the excellence of the faculty while emphasizing, “We are so honored to be supporting our students’ vision.”

In a world that often undervalues artistic development,  DESA remind us that nurturing creative talent isn’t just about producing art—it’s about developing young people who see the world with greater depth, collaborate with genuine respect, and approach challenges with both technical skill and imaginative vision.

BEST IN SHOW – The first time that a sculpture has been awarded in this category – “Sculpture Sitting Right

Like many instructions in today’s economic environment, funding has been cut in many ways. The Visual Arts Department field trip to New York’s Metropolitan Museum of Art had to be cancelled due to cessation of funding. Instead of complaining, Department Chair,  Ms. Casey, said, “This is a wonderful opportunity for you guys to DONATE and support our mission.”

Walking back to our car through the rain, I hardly noticed the weather. My mind was still discovering details in the exceptional student creations I had  just witnessed- it was an highly engaging immersive experience—each piece a testament to the transformative power of dedicated arts education.

The Washington Ballet Takes Center Stage Virtual Gala

Celebrating 75 years  of the Washington School of Ballet

Rising Star – Katherine Barkman PC: Screenshot of web production

Ballet lovers from around the world were invited to tune in for the first-ever LIVE online celebration of The Washington Ballet! Performances by The Washington Ballet artists and stories from students and faculty highlighted the event.

Ballet in Washington, D.C., under Artistic Director, Julie Kent, was beginning to soar and rival many American and international ballet companies. Their 2020 season promised to deliver breathtaking performances of classical ballets and repertoire. The season started with their exceptional production of Balanchine + Ashton in February to be followed by the full-length Swan Lake – music by Tchaikovsky. The classic ballet, Coppélia, to the music of Léo Delibes, was scheduled to premiere in May.  Casting, choreography, costuming, and rehearsals were in progress. I planned to attend Coppélia and write a blog article about the performance.

PC: Screenshot

Producing a full length classical ballet is an very expensive and laborious process. The costuming alone, is extremely expensive with a single tutu potentially costing over $3000. The cost of costumes added to the salaries, overhead, and theater rental runs into the hundreds of thousands of dollars. Sold out productions, sponsors, grants, and patrons help cover these expenses. What happens when the curtain does not rise? The last Washington Ballet rehearsal was held on March 13 where snippets of a dress rehearsal of Act 3 were filmed.

The company staff and dancers are incredibly supportive, gracious, and optimistic for something wonderful to emerge from the current circumstances. Having been president of a pre-professional ballet company, I am aware of the magnificent cost involved in the production of every ballet.

Ballet Dancer Corey Landolt was honorary Mixologist for the Gala PC: Screenshot

Tonight’s public virtual Gala was a wonderful way to bring the Washington Ballet to the City and to the world. The Gala were beautifully produced. There was a mix of executive, sponsor, and philanthropic recognitions along with a generous portion of stunning ballet performances. The 75th anniversary of the Washington School of Ballet begun by Mary Day and her mentor, Lisa Gardiner, was celebrated with joy and dignity.

Artistic Director, Julie Kent PC: Screenshot

The growth of The Washington Ballet under Julie Kent in just under four full years, has been remarkable. Like many Company patrons, I was eagarly anticipating the brilliance and excitement of the upcoming season. The Gala was elegant, classic, and was generously shared with the City and the world free of charge. The hope, being that donations would offset expenses and generate funds. During the event, donations came in ranging from just a few dollars to some with a several zeros at the end.


Monica Stephenson, Head of School, Southeast Campus.
PC: Screenshot

In recognition of the 75th anniversary of the Washington School of Ballet, The Washington Ballet expressed their focus and goal of reaching city dancers and providing teaching and training opportunities regardless of dancers’ economic circumstances. Monica Stephenson, Head of School, Southeast Campus, The Washington Ballet, shared, “For our community of 1200 students, we kindle love, passion, interest and commitment. We encourage talent, creativity and integrity on all levels of the art stressing excellence in the classroom and on the stage. “  The interactive on-line ballet classes are helping students stay involved,  active, and healthy. Ms. Stephenson emphasized the goal of,  “Engaging in relevant dialogues in an unwavering commitment to our aspiration for the extraordinary. We work toward equitable excellence in artistic education and expanded diversity in classical ballet. It feels wonderful to be a part of dancers’ growth.”


“You can inspire the world with you dancing.” DC ballet student. PC: Screenshot
Students of The Washington School of Ballet PC: Screenshot

Ms. Kent, in her mild, soft-spoken manner, introduced “An incredible evening of inspired performances.”  Five performances, all very different and extremely engaging culminated with the final rehearsal of Act 3 of Swan Lake. At the end of each, I wished for  “just a little more,” the mark of an exceptional artistic director.


Rench Soriano from the Philippines is a Washington Ballet Studio Company dancer performing 5 Variations on a theme by David Fernandez PC: Screenshot


Women of the Company performing “Summer’s Heat” reliving the “Center Stage” movie experience. PC: Screenshot


Katherine Barkman and Masanori Takiguchi in rehearsal of Act 3 Swan Lake PC:Screenshot

Ms. Kent closed the evening by saying, “At this time of tremendous loss and vulnerability, dance art is a celebration of humanity. We, at The Washington Ballet are ensuring artistic hopes and careers will live on and thrive. Thank you for your love and support.”

What can we do to support The Washington Ballet? Consider donating The art of dance transforms lives every contribution will help.