‘Play On!’ – A Jazz-Infused Twelfth Night

Wesley J. Barnes (Jester)and the cast of Play On! at-Signature Theatre.Photo by Daniel Rader.

“If music be the food of love, play on,” says Duke Orsino in Act 1, Scene 1 of Shakespeare’s Twelfth Night. Play on, indeed, as Duke Ellington pines for his love interest, Lady Liv, in this lively, energetic production of Cheryl L. West’s jazz adaptation.

Signature Theatre was transformed into 1930s Harlem’s Cotton Club. From my stage-front table, I observed the fast-paced “Play On,” where disguises, mistaken identities, unrequited love, roadblocks, and burning passions energize both performance and progression.

Duke Ellington’s music—including “Take the A Train,” “Mood Indigo,” “It Don’t Mean a Thing If It Ain’t Got That Swing,” “Rocks in My Bed,” and twenty more numbers—tells the story of Duke’s unrequited love for Lady Liv, serious Miss Mary demanding faithfulness from her love interest Sweets, Vy’s secret passion for Duke, and poor Rev’s infatuation with Lady Liv.

Shakespeare’s play adapts beautifully to Prohibition-era America. West streamlines the original by eliminating the shipwreck and twin brother subplot, replacing them with wide-eyed Vy arriving in Harlem to write songs, only to be told by her uncle Jester that women aren’t songwriters in Duke Ellington’s world—or anyone else’s.

Awa Sal Secka (Lady Liv) in Play On! Photo by Christopher Mueller

Jalisa Williams (Vy) and the cast of Pay On! Photo by Christopher Mueller

I observed exceptional depth across every aspect of this production. The set design captured the Cotton Club’s authentic 1930s atmosphere, complete with the “Southern” elements that appealed to the patrons of its time. The costuming was both period-accurate and creative. Lady Liv’s garments were eye-catching and exceptionally flattering, each telling its own story as Awa Sal Secka brilliantly embodied the character. Vy’s yellow “Sunday” hat spoke volumes of her innocence.

My proximity allowed me to observe the actors’ skillful presentations. They were not acting—they were the characters. Their connections were palpable through eye contact, flirtations, and emotional range. I was truly “there, at the Club.”

Top L. Wesley J. Barnes (Jester) Photo by Daniel Rader, Top R. Derrick D. Turby, Jr. (Sweets) and Kanysha Williams (Miss Mary) photo by Christopher Mueller, middle R. Jalisa Williams (Vy- man) and Greg Watkins (Duke) photo by Christopher Mueller, bottom R. Jalisa Williams (Vy) and Awa Sal Secka (Lady Liv) photo by Christopher Mueller, Bottom – Greg Watkins (Duke) and Jalisa Williams (Vy-Man) and the cast of Play On! photo by Daniel Rader.

Like Shakespeare, West addresses social issues without belaboring them. Beyond the obvious romantic entanglements, segregation and dismissal of women’s potential remain present yet were overcome. Women can’t write music? How about a woman in a well-fitted man’s suit and fedora? The solutions were abundant, clever, and thoroughly entertaining.

Greg Watkins (Duke) Photo by: Awa Sal Secka (Lady Liv) Photo by: Jalisa Williams (Vy-Man) Photo by: Daniel Rader Christopher Muller Daniel Rader

Duke Ellington’s beloved music warmed the atmosphere and predisposed us to be entertained. Entertained we were—both myself and the full house. A friend who saw the play later in the week remarked at how much she enjoyed the “Rocks In My Bed” number with Sweets and Jester. My companion told me how she was fascinated by the dance execution going from raucous tap to pin-drop silent dance on the same shoes.

Wesley J. Barnes (Jester) and Derrick D. Turby (Sweets) PC: Christopher Mueller Greg Watkins (Duke),Jalisa Williams (Vy) and Cast PC: Daniel Rader

Play On! runs at Signature Theatre in Arlington, Virginia until October 5. This production is perfect for jazz, musical, dance, and feel-good fans. Of course, Shakespeare fans will find it cleverly entertaining. If you want a happy, energetic production to clear away the day’s concerns—this is it. Buy tickets soon – it sells out.

Cheers and Final Bows – PC: Krasi Henkel

Where Passion Meets Purpose: Inside the Duke Ellington School of the Arts Student Exhibition

Last Friday, I had the privilege of attending the Visual Arts Student Show 2025 at the Duke Ellington School of the Arts (DESA) in Washington, D.C. As I walked through the exhibition with my goddaughter, Nicoletta, a freshman in the Visual Arts Department, I witnessed firsthand how this extraordinary institution transforms artistic potential into polished expression.

“The Vienna Flood ’24” by Lucia Gonzalo Sebastian – 2D Concepts – New Yorker – Nikki explains, “This is difficult medium because of the many details involved in its creation – selection of just the right shades of color papers, assembling meticulously to smoothly apply each piece while keeping the surface clean of glue and staining. But it is so much fun to see the result.”

A Dream Realized

For Nicoletta, DESA represents the fulfillment of a lifelong passion. Even as a toddler, while other children played with dolls, she gravitated toward pencils, paints, and clay. Her journey to DESA wasn’t easy—the school’s rigorous admission process admits only 25 visual arts students annually from hundreds of applicants, requiring portfolio presentations and in-person drawing auditions. As her Godmother, her parents invited me to attend the “Family Meeting.”

“To have professional instruction, to be moving art forward, and be in the moment where ideas, vision, and expression move smoothly, is my ideal,” Nicoletta explained as she guided me through the exhibition. The school’s unique structure, dedicating three hours daily to arts education, has transformed her academic experience as well, leading to recognition for her outstanding GPA.

” I loved creating this collage where I incorporated photographs, textures, and graphics. I think I can say that I am happy that it was selected for the show.” Nikki Zapryanov

Team Building Creativity

“Sculpture Left Standing Work” Nikki – Arm, Eliana – Leg, Khepra – Torso, Luana – Head; Luana – Leg

The centerpiece of the exhibition featured four nearly life-size ballerina sculptures created by freshman student teams. Each sculpture represented a beautiful example of collaborative artistry—individual students crafted specific body parts that were later assembled into cohesive wholes under the guidance of their sculpture teacher, Mr. Wesley.

“I carried that leg around with me for months and worked on it at home and at school. I have grown accustomed to having its company,” shared Eliana, pointing to her beautifully extended ballet leg with its perfectly pointed foot.

What made these sculptures even more impressive was their construction material: cardboard. When asked about creating such fluid forms from such a rigid medium, one student explained, “We softened it by hand by repeatedly bending and smoothing until it yielded to our shapes.”

A Nurturing Environment

Beyond the impressive artwork, what is striking is the atmosphere of the school itself. The architecture, with its vast, inspiring spaces, creates an environment where creativity flourishes. But it’s the community that truly distinguishes DESA.

“I have made wonderful friends. We are a close community where everyone is supportive and lends help when needed. Criticism is constructive, kind, and very valuable,” Nicoletta shared as she introduced us to many of her classmates.

The faculty’s approach reflects this supportive philosophy. When asked about their teaching methods at a previous event, one visual arts teacher explained, “We teach the fundamentals and basics of art—technique, tools, media, and vision. We feel that this is the best way to help prepare our students for the rigors of their future education and ultimately, life.”

Growing Artistic Vision

As we explored intricate skull drawings that would inspire next year’s projects, Nicoletta reflected on her artistic development: “This year, my eye has become more developed. I calculate and observe better. I can see differences and note details, symbolism, and emotions.”

Drawings from Students in Drawing II

The exhibition culminated with award presentations, including a historic first—a sculpture titled “Right Standing Work” winning Best in Show. Department Chair Ms. Elana Casey recognized the excellence of the faculty while emphasizing, “We are so honored to be supporting our students’ vision.”

In a world that often undervalues artistic development,  DESA remind us that nurturing creative talent isn’t just about producing art—it’s about developing young people who see the world with greater depth, collaborate with genuine respect, and approach challenges with both technical skill and imaginative vision.

BEST IN SHOW – The first time that a sculpture has been awarded in this category – “Sculpture Sitting Right

Like many instructions in today’s economic environment, funding has been cut in many ways. The Visual Arts Department field trip to New York’s Metropolitan Museum of Art had to be cancelled due to cessation of funding. Instead of complaining, Department Chair,  Ms. Casey, said, “This is a wonderful opportunity for you guys to DONATE and support our mission.”

Walking back to our car through the rain, I hardly noticed the weather. My mind was still discovering details in the exceptional student creations I had  just witnessed- it was an highly engaging immersive experience—each piece a testament to the transformative power of dedicated arts education.

Essential: Food for the Soul

Pansies, Henri Fantin-Latour, 1874, National Gallery of Art, Washington DC

“The world will surprise you with its grace,” is a line from a movie that I have watched many times. In today’s environment, this line has been brought to fruition in the most generous ways. We are all affected in how we move about, how we work, how we interact with friends and family, and how we entertain ourselves.

Detail of Frederick Edwin Church El Rio de Luz
National Gallery of Art, Washington, D.C.

As in Sleeping Beauty, theater, music, art, dance, intellectually stimulating courses, and much of our in-person physical activities have ceased for the moment. However, the outpouring of generosity on the part of performers, museums, theaters, educators, and trainers have amazed me over and over. Sometimes I have blinked to be sure that what I was reading is true. And, so it is. We need grace and must exercise generosity now. We need the arts now more than ever. What better way to experience grace and generosity now?

From Paris to Seoul, from London to  Washington, DC , Florence to New York City,  and from Harvard to Yale, and Princeton, along with many others, the best and greatest are sharing with us their best and greatest. We can nourish our souls (this is not a theological article) profoundly by a click on our computers . We can regroup. Perhaps this is our opportunity to explore, learn, reinforce, and discover the beauty of the arts. Our souls will be better for it.

Through my love for the arts, I feel like a kid in a candy store – where to go first – what to watch first?? Actually, I am feeling like I did on my first visit to Fortnum and Mason, “Must focus. Time is fleeting.”

To help make the most of our situation, I have compiled links to complimentary  (some are pay what you can) videos from some of the world’s greatest resources. To these generous and gracious people and organizations, I give heartfelt thanks. Please remember them when times change and support them by become patrons, buying tickets, attending exhibitions, and buying future streaming services. They have gone above and beyond our expectations to feed our souls with beauty, creativity, adventure, and grace.

Ballet and Opera:

Theater:

Music:

  • Arts on the Hill – University of Virginia – weekly videos – jazz, poetry, and so much more!
  • National Philharmonic – musicians share their musical contributions – #MusicalNotes – brilliant segments  of music

Tours / Architecture:

Art and Museums:

Movies / Shows /Documentaries:

  • HBO provides movies, programs, and documentaries free to stream
  • Amazon Prime SXSW 2020 Film Festival – ““Prime Video presents the SXSW 2020 Film Festival Collection” offers filmmakers in the 2020 SXSW Film Festival lineup an invitation to opt in to take part in this online film festival, which will play exclusively on Prime Video in the U.S. for 10-days. The one-time event will be available in front of the Prime Video paywall and free to all audiences around the country, with or without an Amazon Prime membership, all that is needed is a free Amazon account.”

Literature / Books

Free Courses:

Pilates:

Petite danseuse de quatorze ans
Edgar Degas

Let’s be prepared with greater knowledge and appreciation for when the doors are opened and curtains rise once again.